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Oh, those South Park kids...
TEAM
AMERICA: WORLD POLICE - Matt
Stone and Trey Parker's
send up of jingoism, action movies and liberal activism
manages to prick nearly all sides of the political spectrum
while never leaving an opportunity for a cheap laugh.
Wooden characters
Okay, lots of cheap laughs. There are a couple scenes
that will have you laughing so hard you're in tears
and probably make you feel guilty about how much you
laughed. If you are a fan of South Park you
know exactly what you're going to get: juvenile humour,
shots at celebrities and world leaders, a bang on parody
of genre TV and film plus a handful of musical numbers.
Team America was created using what they call "supercrapination",
even worse puppeteering than in the Thunderbirds TV
show. The effect of showing the puppets blasting away
at each other and fight hand-to-hand is extremely silly
and good for a chuckle. The movie never really rises
above its most outrageous gag: a nearly two-minute scene
where the lead marionettes undress and make passionate
love in a dozen positions but if you stick around you'll
see a wicked satire of action films from a pair of directors
who know instinctively how to exploit the cheese in
the formulas. From the cliched shots to the rote action
plot to the wooden characters, Team
America: World Police will have you grinning
in recognition of all the standards engrained in the
action genre since the 80s (and probably make you feel
guilty for enjoying the same when you see the next Bruckheimer
movie).
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Car rebooted, no prob
Got my car back the same day I put it in. As expected,
it was a mystery sensor. They checked, found nothing,
rebooted the car computer. Think if how easy it would
be if the driver himself could reboot the car. Oh, wait,
I can hear the car 'crash' jokes coming on.
Dylancouper.com
My bud Dylan gets a new website. Partly done.
See it here >>
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It's always a diagnostic problem!
No need to panic, Captain
In Star Trek whenever
there appears to be a problem with the ship, the captain
always says: "I
want a full level two diagnostic
scan" at which time the engineers start complaining.
Of course, in the episode it always turns out that the
sensors are correct and there really is a problem with
the main drive or deflector dish. In my case, the 'check
engine light' which I reported yesterday looks like
a common problem among the first year Mazda3s in which
the issue is with the thermometer gauge, not the engine.
The gauge needs to be calibrated for colder weather
and with its miscalibration, believes the engine is
overheating (or something). Tomorrow I will drop it
off at my dealership for this to be confirmed.
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Cool percussion group performance
Check this performance out. It's a percussion group called
the Spirit Cymbal Line
performing a piece all with cymbals. George Ellis from
the DVInfo.net forum caught this as part of a festival.
See
the video here >> (.wmv)
Ché Guevera's odyssey
A film I didn't catch at the festival proper but saw
last night was Walter Salles' THE
MOTORCYCLE DIARIES (Diarios de motocicleta),
a meditative story of revolutionary leader Ernesto 'Ché'
Guevera's 8,000km motorcycle odyssey as a young medical
student that works on two levels.
The political tourists
It's an amusing buddy picture with young Ernesto Guevera
struggling to stay on the straight path with gregarious
friend Alberto Granado (the wonderful Rodrigo
De la Serna). Guevera, played by the handsome
Gael García Bernal,
has one semester to complete his medical degree when
they decide to set out on an old motorcycle on a trip
through four countries in South America, intending to
end up in Venezuela for Granado's birthday. It begins
as a lark, involving a side trip to visit Guevera's
girlfriend, an ingenue in a wealthy family, but as they
travel deeper and deeper into the backcountry of Peru,
Chile, Argentina and Brazil the more they come into
contact with and live with the peasantry, Indians and
workers. This is the second, and actually less well
realized, level to the movie. The philosophical journey
that the young Guevera takes is a bit unrealized. The
mood is there, the brotherly relationship bertween the
two men is genuine, but the connection between the people
they meet is all surface. We feel the wanting of the
young Guevera to connect with people but it still feels
that their journey is as tourists despite their many
experiences with the people along the way. Many critics
have already pointed out that the diaries is uncritical
of his later life. I don't care so much about that as
I do about the genuine nature of his political awakening
in this part of his life. Obviously this is a self-portrait,
taken from his own romantic writings (romantic as in
idealistic). As a portrait of his state of mind it is
not as successful. Interspersed between events are snapshot
portraits of the people they meet in black and white,
like the photographs of Indians at the turn of the last
century. This movie is on that level. You can try to
view the soul of a people or persons through an image
but a film is about actions not just visions and dialogue.
A far superior film is Salles' Central
Station. |
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U.S. Presidential Debate #2
I saw the second debate in its entirety. People who
know me know where my leanings are so I want to comment
on the debate as a presentation. The second debate was
hosted by Charles Gibson of NBC and had an interesting
town hall format. 120 people identified by the Gallup
Organization as 'independents' or undecided were picked
to be in the audience. Each submitted a question for
both President Bush and Senator Kerry. Gibson picked
a handful of questions from those submitted and neither
candidate knew what they were. When it came time for
the debate, the member who had submitted the question
rose and read it out (but then had his or her microphone
cut off).
I thought the format made for an interesting bit of
theatre. This was a chance for both candidates to connect
with a member of the general public (though pre-selected)
and their manner of answering may have been as revealing
as the content of their answer. Since they would have
to address the questioner, a citizen, they would need
to come across as warm and understanding. And unlike
answering questions from the media, they needed to really
answer the questions, not just provide a stock answer
that the media would need to filter.
Both men needed to show aggressiveness to each other
without coming off as aggressive to the audience or
to the moderator. At one point, President Bush conflicted
with Gibson when he wanted to rebut but was not permitted
to. Kerry appeared to force the predetermined boundaries
where both candidates were told not to approach the
audience too closely. In the previous debate, Bush was
criticized for looking like he was scowling or in pain
while Kerry was attacking him. In yesterday's debate
Bush tried to joke about it, saying in response to one
Kerry criticism that it made him feel like scowling.
Kerry at a couple points stared straight at the camera
to project the image that he was unwavering, something
which might seem overly aggressive.
George W. Bush's telling performance was in the final
question given to him in which a woman asked him what
he considered his three biggest mistakes of his administration
were. His response was to joke, lamely, that he regretted
appointing certain people (which was trying to laugh
off the number of former members of his government who
have spoken out against him recently). Otherwise, he
could not think of a humble way to reach out to that
questioner. On the other hand, John Kerry did not adequately
provide a position when a young woman asked him about
abortion. Kerry said he respected the 'feeling' behind
the question and said he was a Catholic but otherwise
did not really say where he stood on it.
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