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New Medievalism forum reboot
In a rapid development last week
a bunch of former WEFugee forums decided to band together
and escape the clutches of Delphi and move to a Beehive
forum hosted independently. Among them - my current
events forum. Okay, let me start again. Three years
ago I created a Delphi Forum called New
Medievalism: Current affairs in the new medieval age
which became an outlet for my obsessive news junkie
behaviour. All that's happened is that now we are
hosted somewhere else and membership is by donation
whereas before if you wanted to read it, you had to
be a member of Delphi,
a community forums developer that hasn't upgraded
its software for some time. The further good news
is that the interface is largely the same (open source)
and now we don't have to keep to any of Delphi's ridiculous
terms
of service. Of course, if you would rather lurk,
you may read the forum as a guest. Go
here >>
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"The Prestige"
This is a film project that is
sounding better and better. Today, Dark
Horizons reports that David
Bowie will play Nicola Tesla in the adaptation
of Christopher Priest's "The Prestige", to be directed
by another Christopher, Chris "Batman Begins" Nolan.
"The Prestige" (1986) is the great novel about
a feud between two stage magicians set in turn of
the century England. A misimagined slight leads each
magician to try and outdo the other in magical acts
that become increasingly complex and dangerous. Finally,
one of them seeks the help of Nicola Tesla to aid
in the mechanism behind his ultimate trick. I highly
recommend the book.
Trailer: "The Fountain"
I see also that Amazon.com has wisely linked the
Priest book with the upcoming Darren Aranofsky graphic
novel "The
Fountain", about three separate quests for the Fountain
of Youth. It was last week's most intriguing trailer
- composed very much like a trailer for a Kubrick film.
See
it here >> |
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A book, a TV show and a movie
Comes as a nice trade paperback too
Rubicon:
the Last Years of the Roman Republic     -
A fantastic and thrilling history of the last years
of the Roman Republic. While most are at least familiar
with the controversies around why the Roman Empire
fell, writer Tom Holland has examined the roots of
the downfall of the Republic. First he establishes
the foundations of the idea of the Republic - a state
ruled by its citizens - a political construction that
sought to protect citizens from tyranny - and then
carefully brings out the roots of its collapse. "Rubicon"
begins with the conflict between Sulla and Marius
and ends with the death of Augustus Caesar. Holland's
writing and the pace of the book make understanding
all of this a breeze. He aids the reader's understanding
by choosing to follow the careers of the famed (and
at times obscure) figures who presided over the collapse
of the Republic: Julius Caesar, Cicero, Cato, Crassus,
Octavian, Mark Antony, Pompey, Sulla and Marius as
well as lesser known figures such as Caelius, Clodius,
Domitius, Brutus and Catalus. This narrative device
conveniently follows one of the themes of the book
- how the careerism of the Roman politician combined
with the opening up of immense founts of power and
wealth as Rome itself expanded its boundaries - tore
apart the careful checks and balances of the Republic,
thereby making tyranny the only logical end. As one
reads this one can't help but draw parallels between
the death of Rome's 'democracy' and today's events
in the United States.
HBO: "Rome" season finishing up
It's no coincidence that I picked up "Rubicon"
as my most recent history read as I've been following
HBO and the BBC's mega series "Rome". For
a history nerd "Rome" is the ultimate fantasy
- a big budget rendering of an ancient age.
The "downstairs" story is
more interesting
After ten episodes (the final episode is this Sunday)
my conclusion is that this is the best compromise
between watchability and substance. The previous expensive
collaboration between HBO and the BBC was "The
Band of Brothers" which probably did a better
job of drama as it concentrated on a single unit in
WWII. "Rome", on the other hand has struggled
at times to maintain a balance between showing the
political machinations of the Roman elite and the
more pleasing story of the two unlikely protagonists
of the show, the soldiers Lucius Verenus and Titus
Pullo - the 'downstairs' story if you will. The look,
the flavour of the show is admirable and its sometimes
extreme graphic depths - the last episode had a brauvura
gladiatorial battle in all its gory glory - can wake
you up, however it hasn't done quite as good a job
making the audience care much for the 'upstairs' story.
Why do we care who Attiia is fucking? Why are people
opposing Caesar? The actions are there, but the motivation
is not clear (unless you have "Rubicon"
at hand). Still, I'm there for next season. I'm curious
how the show will progress after its main character,
Caesar,, becomes a casualty if history.
Jarhead
  -
Although I had been forewarned that Jarhead was much
more of a 'slice of life' movie than a war movie,
I didn't expect such a lifeless, inconsequential film
as "Jarhead" about one Marine's experience
mostly waiting for the first Iraqi war to begin in
the summer of 1991. It had a great pedigree coming
from an acclaimed book by Antony Swofford, directed
by "American Beauty's" Sam Mendes and edited
by Walter Murch, but I left the theatre much more
aware of the passage of time than with any emotional
impression at all. Not having read the book, I struggled
to find a theme. The filmmakers seem to tease at events
of significance that fail to resonate.
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Debit card security
I went through the pain of reauthorizing
my bank card this weekend after stopping for a cash
influx and being informed by the machine that my card
had been delisted for security concerns. A phone call
and a bank visit later got my card reauthorized with
brand new PIN number.
Although they don't say specifically what had happened
(and it doesn't appear that any unauthorized withdrawal
was made) they did mention that usually they delist
a number of cards when a large scam is detected or
uncovered. This month a good friend of mine had the
same thing happen to him. PIN number scams are becoming
more common now and certainly less complicated for
the thief than counterfeiting. Canadians are in love
with debit cards, making
us a prime target for such scammers (Globetechnology.com:
"Are debit cards safe?").
Commonly the way they get your PIN is by double-swiping
your card. Here
is a good site describing common methods of plastic
fraud and methods to counter them. Either the
debit card reader is fake or your entering the pin
is recorded by the clerk or a camera. What this incident
has taught me is to use cash at places which you aren't
likely to visit again such as restaurants or corner
stores. I'm wondering if that applies to gas stations
too. Ironically, because I was out of cash, I had
to resort to using my credit card at a number of places!
The most annoying thing about this incident is that
my
bank again didn't try too hard to contact
me to inform me that my bank card was deactivated.
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Where the riots come from
Getting serious
In a year when vast human misery has been displayed
on news every day now we are seeing for the past eleven
days massive rioting in France. You know by now that
it was sparked by the accidental electrocution of
two immigrant boys who, fleeing police, had run into
a nearby power substation but now we are all wondering
what social conditions have further fuelled the wide
ranging attacks on police, arson and nightly confrontations.
Some believe it is due to the construction in the
60s of a series of ghettos that are far from work,
amenities and are too densely packed. Read
this article (English translation) about these
ghettos. Of course the racial division will obviously
be analyzed. Unlike Canada and the U.S. the French
system of integration seeks to Gallicize all immigrants
including their large influx of people from North
Africa - a policy which al
Jazeera critcicizes. Actually, now that I think
of it the Michael Haneke movie I saw at the VIFF,
Cache, commented on that implicitly. Is there
something in the air?
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In memoriam: Laika, the first
animal sent into space
Space sacrifice
On November 3rd, 1958 the Soviets put a 6kg mongrel
into a space capsule along with various instruments
designed to monitor her life signs and launched it
all on the top of a rocket, making Laika (her name
means "barker" in Russian) the first animal
to be put into space by humans. There was no way to
bring her back down to Earth so essentially she was
a sacrifice, paving the way with the recorded knowledge
of her passing for subsequent human missions.
Although it was earlier presumed that Laika suffocated
after her oxygen ran out in a week, now data released
by the Russians indicate that she may have died of
overheating or was cooked when the heat shielding
surrounding her capsule gave out. Laika was remembered
in several stamps commerating her sacrifice. Her body
(and the capsule) orbitted the Earth 2,570 times before
the Soyuz burned up in the atmosphere. One
scientist expressed regret years after: "The
more time passes, the more I am sorry about it. We
did not learn enough from the mission to justify the
death of the dog."
Laika wasn't the only mutnik
and some of the next generation actually made several
trips into space or the upper atmosphere. The most
famous was Strelka ("Fluffy") who survived
to have a litter of puppies, one which was given by
Nikita Kruschev as a state present to John F. Kennedy's
children - she became Caroline
Kennedy's dog (the photo of the Kennedys and their
canines has two of the descendant puppies on Jackie's
lap). Kennedy called them 'pupniks'.
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Halloween
My 10D camera body is in the shop
for the time being fixing an annoying power switch
issue but in the mean time I did manage to get some
photos of friends during Halloween. From left to right:
Adri Lake wearing the rice hat that I would later
wear as part of my
Japanese monk costume; an awesome Jack 'o Lantern
carved by Ryan Slemko; Ryan himself as a freaky zombie
and finally Keith Gillard wearing a pigs head.
Read Harper's this month
This month's Harper's Magazine has a howlingly funny
excerpt from an interview with a retired Chinese professional
mourner. In the interview the man recounts being part
of a troupe of people who were paid to howl, gnash their
teeth and hurl themselves at the coffin before the Cultural
Revolution. Even after the onset of Communism they were
able to keep their business going, just changing the
songs. At one point they are forced by a local Tong
leader to compete in a wail off against a rival troupe
for local territory rights. |
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